kurengg asemm pnya lagu!

nahh! si Hafe pi post ni lgu. sa pi dengar. auw~ nahh jatuh hati lg sa sama Ryan Tedder. sa suka suara dia. apa lg lau dia nyanyi dgn band dia One Republic. nahh! ouch~ suka sa. hahaa. but this song, aiyahhh! siok ging! 

ohh gosh! Lianne, BK, Leesa suruh sa main tu lgu Pretend - Secondhand Serenade depan dorang.

eiow~ 

    oh gosh! u know what? first, Lianne suruh sa blajar tu lgu and suruh main depan dia. haha. then td BK suru sa main depan dia. trus sa gtau si Leesa tntg tu lgu, dia pn suru sa nyanyi di depan dia. alala! hahaa. merdu sangat ka suara sa ni ahh? uisehh~ haha 

I QUIT!

nahh! sa bukan lg member CYF. sa quit sudah. biar la dorang sana. fikir la apa yg dorang mau fikir. sa suka si anu ka, sa gaduh sama si anu ka. suka hati dorang! patut nya tu prempuan bgtau dulu sa kalau2 dia blh suka si anu ka nda, sbb si anu tu ex sa kan. it's in the Girl's Code. LOOK IT UP! ugh! panat sudaa sa ni. ni period lg cari pasal. tiba2 datang sakit perut sa. kimaa. geram sa ni tau. 






- teda idea suda pa lg mau cakap. trlmpau sakit hati and perut sudah ni. -

i'm more into breakdancing rather than guitar. i don't know why :/

eiow~
   okay! mcm sa boring sua ni main guitar. ntah la npa. tp bila sa dgr org main gitar kan, sa yg brabis mau men gitar. ni lgu Pretend skrg pn mcam best lau dimain guna gitar. haha. tp sa lbh tumpukan kpd breakdancing skrg ni. sa mau kc improve. like Jason said, next year dia maybe mau join tu Showdown, and sa next year free, teda PMR sua, biarpn SPM tu 1 thun ja lg dari form 4. ahh biar la, at least sa dpt live dream sa ba, doiihh. 

arghh! is it true? haha~ curi2 pi tingu pic orang ka? alolo

Hi, miss me? haha..
          okayy! adaka sa pi tingu2 pic dia. astaga. haha. mmg menyesal jg sa kasi tinggal dia oh, adedeh. time tu sa mmg nda matang ohh. haha. smpai skrg mc lg sa nda matang. mc fikir cam budak2. tp kann~ eish! sayang ohh sa kc biar ja dia gtu. hahahahahahahaahahah! si BK ckp kan, what a small world. LOL~ dia badminton jg ni td. sa pn badminton. tp dia ddk jauh2. mesti ada reason la tu, malu2 la tu. adeh! nda jg sa makan org ba. haha.

i think i'm admiring someone. haha : )

auwshh! gilaa, cute ni budak ohh. haha. kemarin time sa on9, dia pn on9. trus dia chat sama sa. haha. astaga! gilaa oh. haha. okay la jg dia, haha. tapi kan, aishh! ada penghalang dia ba. kitaii! haha. nda pa la. haha. gillaaaa~ auw! cute ohh. trus lawak lg tu dia. haha. sa ragu2 mau text dia ni. lgpun kdit sa tinggal skit lg. ohh my gosh! suka sa. 
  ngeehee~ so cute, so..soo.....i don't know. haha. budu oh. okay, so now, what i know is only TWO person who know about this. ngiahaha~ eish! eish! eish! nda tahan sa jorr. huhhh~ yang sa nda suka ada tu penghalang dia. susah ni.

what's gonna happen?

Hi, miss me? : ) 
okay! today, mmg kami officially 1 week sudah. so should i break up with him? i don't know la. si Khal suru sa kasi lama2 sma dia smpai form 5. haha. budu pnya pindik. ntah la, sa pn nda tau pa mau bt. then kan, sa tebaca comment si tutt di FB. dia ckp knun2 dia masi syg sa, tp dia give up sudah sama sa sbb sa sudah berpunya kan. LOL = = 
    okay! ntah la, bnyk org sokong sa cpl sama si Anold. hmm, tu la td sa mau tnya dia. tp mslhnya dia teda credit. sa mau tnya if dia btul2 ka suka sama sa. sbb sa nda brpa pcaya sama dia ni. haha! kuat main kan, pa bleh buat. okay, so i think i should ask him if he really really does likes me. oh my gosh! i look like i'm too desperate to find a guy in my life.haha! the question is here, What's Gonna Happen? and i answered, i don't know. haha! yehh! i really don't. hmm. TBH, bnyk ni lelaki yg sa admire di school. tp cuma admire ja la. haha. even org yg sudah berpunya pn sa mau p admire jg. LOL! haha. grr..jealous sa tingu romantic scene oh, haha. macam sa pun mau test mcmna rasanya kalau ada org buat something romantic sama sa. aww! haha. for example, mcm aritu si Aiman main gitar untuk sa, dia ajar lgu Maybe. ahh! mcm gtu. tp tu kami bkn ada apa2 affair ah. kami cuma kwn. haha. mmg sa mengaku la, ada jg sa cair skit. sbb mmg dream sa kan mau ada 1 guy, sing a song to me with his guitar. okay, mmg out of topic suda sa ni. haha! okay where was i? oh yeahh! sa pn nda tau apa yg akan terjadi lepas ni. patut ka sa kasi kekal ja smpai..penghujungnya la. atau, break seja trus. be with someone else? i don't know oh! aiyerr. then, this other guy, hmm. mana sa mau taruh ah. sa masi lg, ya for real, like seriously, i still have some feelings for him. BUT hmm. i don't know la. dia give up suda jg tu kan, and if kami together blik pn msti org fikir lain2. so it's hard to decide. 




AHHH! HELP ME! >///<




loves, 
Kimmie..
xoxo

ada skula, group baru, ada orang pemalu : )

haha. ehh skrg sunday ba sudah kan. doi, kemarin kami ada skul ganti untuk CNY. haha. sian ni kelas 2A, kami p ambil blik smua hiasan2 kami. haha! trus butak ba tu papan kenyataan durang. haha! gila eh. kami ada ceramah ni dari awal pg sampai rehat. boringg oh. mau mengantuk. trus kami kena suru nyanyi lgu Faizal Tahir - Gemuruh Jiwa. nahh! semangat ba kami smua. haha. trus cgFairuz pi suru kami tutup mata. dia suru kami bayangkn tentang kesusahan ibubapa kmi, then dia pasang g lagu AYAH DAN IBU. astaga! no feeling ni bg sa. haha. prempuan bnyk yg menangis. lelaki satu ja, si Hafizi. haha! pnya la. buli2 ba dia menangis. hha. then kami blajar td, err cam biasa2 ja. teda yg siok. pastu pulang~ time pulang ada boring and siok nya. me and elie kami p kantin, then tiba2 dia p tampar blkg sa time sa beli makanan. haha! sbb ada laki cute ja trus sa yg jd mangsa. budu! then, kami p pndok PIBG, kami mkn2 n creta2. tiba2 ba dia creta2 tntg Hosean. haha. so sa ikut ja la apa yg dia creta. sa join saja. then, sudah sa plg, time malam2 sa on9. sa bt group tntg CYF. haha. sa lg tu admin. kami bincang2 la lagu pa yg mau nyanyi nti nxt week. bnyk la idea drg ni weii! haha. si Chris la, malu2 lg ba dia, nda mau chat sama kami. haha. sbb nda biasa. skali bila semua off, tinggal me and BK, bru la dia chat. haha. K I L I pnya Chris. haha. siot ni. 

siok ohh ni ari. cuba cerr lu ba apa yang kau buat and apa yang terjadi. : ))

ee! punya siok ni ari! kami menari tadi time di CYF. hahah. lawak, tapi siok. pastu sudah habis CYF, kami yg form 3 stay sana di canteen church with jane, jojoy, ryan, cg samson. kami bincang2 la untuk next week pnya, bila lg mau buat, and tentang camping and so on. siok ni. then sudah habis bincang, dorang yang lain pi makan ABC. dorang jahat! nda mau blanja kami. haaha. trus terpaksa sa, Dido, BK, BD jalan kaki pulang pi school balik. yang time mau limpas tu jalan raya la. tekejut sa si Dido oh, dia pi pigang lg tu tangan sa, dia pi tarik bawa limpas. nasib nda kena langgar kreta. hahhaa. trus time dia pigang tu, dia picit. kuat lg tu. odoii. then time kami mau sampai sudah yang bus stop depan school tu, ada kami tejumpa si Mark. dia tunggu kami. haha sanggup ba dia. LOL! trus kami sama2 naik bukit, panas2 lg tu. sa sturang ja di depan. si BK teriak2 cam urang gila, dia nyanyi2 lg. haha, si BD ketawa2 ja. si Dido melakat sama si Mark. haha. trus kami smpai school sudah, kami pigi Pondok PIBG. sa minta ajar si Aiman lagu secondhand serenade guna guitar. trus kan, ngam2 ba erwin limpas. macam dia jeles ni. ngam2 lg tu sa bedepan ngan si Aiman, dekat2 lg tu. hahha! KOTOH! trus kan, yang lawak, semua org yang limpas2 kami and nampak si Aiman main gitar untuk sa, aduii na, meningu ba durang. hahah! durang ingat kami dating. sorry la ek! kami cuma kawan. si Mathew ba, haha! stiap kali sa on9, mesti dia chat sama sa. haha. tapi siok la jg dia. friendly pastu lawak. gilaa oh. haaha. si Chris lg satu, gilaa2 ni dia, mau speaking2, sma la mcm si Mathew. ahhah! lawak2 oh cara drg speaking. yg sabah2 ni. haha..

Guitar : )

The guitar is a plucked string instrument, usually played with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel strings. Some modern guitars are made of polycarbonate materials. Guitars are made and repaired by luthiers. There are two primary families of guitars: acoustic and electric.

Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand years. There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive fingerpicking technique.

Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate tone. Early amplified guitars employed a hollow body, but a solid body was found more suitable. Electric guitars have had a continuing profound influence on popular culture. Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of pop.

Music is an art form whose medium is sound. Common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greekμουσική (mousike), "(art) of the Muses."

The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. Within "the arts," music may be classified as a performing art, a fine art, and auditory art. There is also a strong connection between music and mathematics.

To many people in many cultures music is an important part of their way of life. Greek philosophers and ancient Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cagethought that any sound can be music, saying, for example, "There is no noise, only sound." Musicologist Jean-Jacques Nattiezsummarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be."

Origins and History of Dance

Dance does not leave behind clearly identifiable physical artifacts such asstone tools, hunting implements or cave paintings. It is not possible to say when dance became part of human culture. Dance has certainly been an important part of ceremony, rituals, celebrations and entertainment since before the birth of the earliest human civilizations.Archeology delivers traces of dance from prehistoric times such as the 9,000 year old Rock Shelters of Bhimbetka paintings in India and Egyptian tomb paintings depicting dancing figures from circa 3300 BC.

One of the earliest structured uses of dances may have been in the performance and in the telling of myths. It was also sometimes used to show feelings for one of the opposite gender. It is also linked to the origin of "love making." Before the production of written languages, dance was one of the methods of passing these stories down from generation to generation.^[2]

Another early use of dance may have been as a precursor to ecstatic trance states in healing rituals. Dance is still used for this purpose by many cultures from the Brazilian rainforest to the Kalahari Desert.^[3]

Sri Lankan dances goes back to the mythological times of aboriginal yingyang twins and "yakkas" (devils). According to a Sinhalese legend, Kandyan dances originate, 250 years ago, from a magic ritual that broke the spell on a bewitched king. Many contemporary dance forms can be traced back to historical, traditional, ceremonial, and ethnic dance.

Dance

Dance is an art form that generally refers to movement of the body, usually rhythmic and to music,^[1] used as a form of expression, socialinteraction or presented in a spiritual or performance setting.

Dance may also be regarded as a form of nonverbal communication between humans, and is also performed by other animals (bee dance,patterns of behaviour such as a mating dance). Gymnastics, figure skating and synchronized swimming are sports that incorporate dance, while martial arts kata are often compared to dances. Motion in ordinarily inanimate objects may also be described as dances (the leavesdanced in the wind).

Definitions of what constitutes dance are dependent on social, cultural, aesthetic, artistic and moral constraints and range from functional movement (such as folk dance) to virtuoso techniques such as ballet. Dance can be participatory, social or performed for an audience. It can also be ceremonial, competitive or erotic. Dance movements may be without significance in themselves, such as in ballet or European folk dance, or have a gestural vocabulary/symbolic system as in many Asian dances. Dance can embody or express ideas, emotions or tell astory.

Dancing has evolved many styles. Breakdancing and Krumping are related to the hip hop culture. African dance is interpretive. Ballet, Ballroom, Waltz, and Tango are classical styles of dance while Square and the Electric Slide are forms of step dances.

Every dance, no matter what style, has something in common. It not only involves flexibility and body movement, but also physics. If the proper physics is not taken into consideration, injuries may occur.

Choreography is the art of creating dances. The person who creates (i.e., choreographs) a dance is known as the choreographer.

Locking

Locking (originally Campbellocking) is a style of funk dance, which is today also associated with hip hop. The name is based on the concept of locking movements, which basically means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing in the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music. Locking is quite performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical in nature. A dancer who performs locking is called a locker. Lockers commonly use a distinctive dress style, such as colorful clothing with stripes and suspenders.

Locking was originally danced to traditional funk music, such as James Brown. Funk music is still commonly favored by locking dancers, and used by many competitions such as the locking division of Juste Debout. Locking movements create a strong contrast towards the many fast moves that are otherwise performed quite continuously, combined with mime style performance and acting towards the audience and other dancers. Locking includes quite a lot of acrobatics and physically demanding moves, such as landing on one's knees and thesplit. These moves often require knee protection of some sort.

Popping

Popping is a dance style and one of the original funk styles of dance that came out of Fresno, CA in the 1970s. It is based on the technique of quickly contracting and relaxing muscles to cause a jerk in the dancer's body, referred to as a pop, tick or a hit. This is done continuously to the rhythm of a song in combination with various movements and poses. Popping is also used as an umbrella term to refer to a group of closely related illusionary dance styles and techniques that are often integrated with popping to create a more varied performance, but it is distinct from breaking, with which popping is often confused. A popping dancer is commonly referred to as a popper.

Like other styles of hip hop, popping is often performed in a battle trying to outperform another dancer or group of dancers in front of a crowd. This gives room for improvisation and moves that are seldom seen in shows and performances (also referred to as freestyling). It also allows for interaction with the other contestants and spectators.

Hip Hop Dance

Hip-hop dance refers to dance styles primarily danced to hip-hop music or that have evolved as part of hip-hop culture. This includes a wide range of styles notably breaking, locking, and popping which were developed in the 1970s by Black and Latino Americans. What separates hip-hop dance from other forms of dance is that it is often freestyle (improvisational) in nature and hip-hop dancers frequently engage in battles—formal or informal freestyle dance competitions. Informal freestyle sessions and battles are usually performed in acipher, "a circular dance space that forms naturally once the dancing begins." These three elements—freestyling, battles, and ciphers—are key components of hip-hop dance.

More than 30 years old, hip-hop dance became widely known after the first professional breaking, locking, and popping crews formed in the 1970s. The most influential groups are the Rock Steady Crew, The Lockers, and the Electric Boogaloos who are responsible for the spread of breaking, locking, and popping respectively. Parallel with the evolution of hip-hop music, hip-hop dancing evolved from breaking and the funk styles into different forms: moves such as the "running man" and the "cabbage patch" hit the mainstream and became fad dances. The dance industry in particular responded with studio/commercial hip-hop, sometimes called new style, and jazz funk. These styles were developed by technically trained dancers who wanted to create choreography for hip-hop music from the hip-hop dances they saw being performed on the street. Because of this development, hip-hop dance is now practiced at both studios and outside spaces.

Internationally, hip-hop dance has had a particularly strong influence in France and South Korea. France is the birthplace of Tecktonik, a style of house dance from Paris that borrows heavily from popping and breaking. France is also the home of Juste Debout, an international hip-hop dance competition. South Korea is home to the international breaking competition R16 which is sponsored by the government and broadcast every year live on Korean television. The country consistently produces such skillful b-boys that the South Korean government has designated the Gamblerz and Rivers b-boy crews official ambassadors of Korean culture.

To some, hip-hop dance may only be a form of entertainment or a hobby. To others it has become a lifestyle: a way to be active inphysical fitness or competitive dance and a way to make a living by dancing professionally.

Bboy Styles

There are many different individual styles used in breaking. Individual styles often stem from a dancer's region of origin and influences. Although there are some generalities in the styles that exist, many dancers combine elements of different styles with their own ideas and knowledge in order to create a unique style of their own.

• Power: This style of breaking is what most members of the general public associate with the term "break-dancing". Power moves comprise full-body spins and rotations that give the illusion of defying gravity. Examples of power moves include headspins, backspins, windmills, flares, airtracks/airflares, 1990s, 2000s, jackhammers, crickets, turtles, hand glide, halos, and elbow spins. Those b-boys who use "power moves" almost exclusively in their sets are referred to as "power heads".
• Abstract: A very broad style of breaking which may include the incorporation of "threading" footwork, freestyle movement to hit beats, house dance, and "circus" styles (tricks, contortion, etc.).
• Blowup: A style of breaking which focuses on the "wow factor" of certain power moves, freezes, and circus styles. Blowup-style consists of performing a sequence of as many difficult trick combinations in as quick succession as possible in order to "smack" or exceed the virtuosity of the other b-boy's performance. This is usually attempted only after becoming proficient in other styles due to the degree of control and practice required in this type of dancing. The names of some of the moves are: airbaby, airchair, hollow backs, solar eclipse, reverse airbaby, among others. The main goal in blowup-style is the rapid transition through a sequence of power moves.
• Flavor: A style that is based more on elaborate toprock, downrock, and/or freezes. This style is focused more on the beat of the song than having to rely on "power" moves only. B-boys who base their dance on "flavor" or style are known as "style heads".
• Flex: A style that is noted mainly from its requirement of being flexible. More complicated threading and moves with "flavor" are also accompanied with power moves and freezes that also require flexibility.

History of Breaking

Breaking or b-boying, commonly called breakdancing, is a style of dance that evolved among Black and Latino American youths in the South Bronx during the 1970s. It is danced to both hip-hop and other genres of music that are often remixed to prolong the musicalbreaks.

Four basic elements form the foundation of breaking. The first is Toprock, a term referring to the upright dancing and shuffles. The second element is Downrock which refers to footwork dancing performed on the floor. The third element is the Freeze, the poses that breakers throw into their dance sets to add punctuation to certain beats and end their routines. The fourth element is the Power Moves. These are the most impressive acrobatic moves normally made up of circular motions where the dancer will spin on the floor or in the air.

The term breakdancing, though commonly used, is frowned upon by those immersed in hip-hop culture because the term was created by the media to describe what was called breaking or b-boying in the street. The majority of the art form’s pioneers and most notable practitioners refer to the dance as b-boying.

hahahahaha : ) lawak ohh this guy. haha!

haha! gila ba si Chris ni. haha. tapi siok jg ni creta2 sama dia. doihh nah! gaduh ba dia sama si ************~ panjang juga star dia ni. haha. dui, show off ni. punya la. haha! kan sa tau. si joel sudah pernah mention sama sa yang dia mau pok si Sharon time year 2011. betul jg cakap dia ni. betul2 dia mau pok si Sharon. toii! pa jg cantik dia ni, rupa ja cantik, gaya..tuii tuii tuii~ pok2 laki handsome ja. deihh..nda bagus bai tu. teda juga gunanya. haha. gilaa ohh. biar la dorang gaduh, tapi apa yg si Chris cakap tu betul. doih! sedar2 diri la. yang betul patutnya nda payah rasa takut kann. nahh, manada si Chris takut. dia berpunya sudah ba. she's all yours! hahah! lawak la juga kamurang ni. atatata~ 

I JUST LOVE THIS SONG! IT IS SO TOUCHING!

Absolutely Positively An Awsome Day Today! : )

ohh my gosh! punya siok ni ari. haha, bwa guitar pigi school untuk latihan CYF. then, we all kumpul2 jalan kaki sama2 pi canteen Mary Immaculate Church. si Mark jahat! tamaha, nda mau share2 payung, begaduh kami tadi dalam perjalanan mau p church. haha. pasal payung ja. then, we all smua sampai sudah ke destinasi kami ke Mary Immaculate Church. haha. kami nyanyi lagu Kaulah Harapan, Bersorak-sorailah, Kasih Yesus and Aku Bisa. aww~ mimang best la juga ni ari. kan siok lau hari2 begitu. kami ada buat gaya2 lagi time menari. si Abo la tu duluan. ahhh! malu la sa ni nanti mau menari2 smbil menari bisuk di CYF. haha : ) then sudah kami habis latihan, kami jalan kaki ramai2 balik pi school. si Dido share2 payung sama saya. nasib jg dia baik hati. haha. pastu sa, Aiman, Elie, BK, BD, Cassey main gitar di canteen school. then, kami pindah pi kerusi kuning tapi kena halau oleh cg Razis. : ( hahaha, tapi kami lari trus pi Pondok PIBG. situ la kami men2 gitar. siok la juga.. suka sa. haha. harap2 ja la everyday boleh macam tadi. hee : )

i am torturing myself!

ahh! sakit hati sa ohh. budu ba sa. memang budu budu budu! sa memang mengaku sa ni budu! eish! menyesal tul sa kc tgl dia. budu ba sa, mau jg sa ikut2 ckp org lain. cuba la, if sa bleh back in time kan, eish! ntah laa. lau dpt pun, miracle suda tu. ahhhhh!!!! sakit tul hati sa, salah sa, sa yg sakit hati. eish! budubudubudubudu! mau brapa kali suda sa ckp sa budu ni. malas tul sa, then td sa dgr lgu D.A. lg, You Can. alolo! terharu sa trus. kin panas! then dari kemarin, sa ingat dia ja. ni lagu pn remind me of him. eish!

Breakdance moves : Suicides

• ' The term suicide is most frequently used as a suicide from a babymill/munchmill movement onto the back laying flat on the ground.
• Front/back Headflip: A headspring done without the use of the hands.
• Hard Dive: An aerial dive landing on the shoulder or upper forearm
• Pencil Spin:A headspin done with legs together and hand at the sides.
• Suicide Rubberband: A backwards dive landing in the kip-up position with hands behind head.
• Airtrack 1.5: Done after the completion of an airflare, after one hand is placed down instead of hopping onto other hand momentum is used to complete one or two whole aerial spins, usually landed in a munchmill or windmill to avoid injury.
• Suicide Corkscrew: A Corkscrew or B-twist is done but landed on back or upper shoulders.
• Coin Drop Drops down on one arm and goes into a windmill somewhat gliding on your back, then pushing your self back up. *You can try with no hands*
• The Winder: Dropping onto the back from a handstand. The Bboy/Bgirl removes their supporting arms whilst in a handstand and lands prostate on their back. The Winder can also be executed whilst moving forwards or backwards. The more painful The Winder appears the better. Pioneered by UK Breaker Major League Chubb D.

Breakdance moves : Drops

• Drop Airchair: Usually starting from a handstand move and dropping into an airchair.
• Drop Elbow/Forearm: Usually starting from a handstand move and dropping onto the elbow or forearm.
• Head Drop: Dropping onto the head from another move.
• Shoulder Drop: Dropping onto the shoulder from another move.

Breakdance moves : Blowups/Rollbacks

• Rollback Handstand: A bboy starts off on his back or sitting down and rolls back to a handstand. This move is common to start a 1990 or a 2000.
• Rollback Pike/Nike: Similar to a rollback handstand but usually done with one arm into a pike or a nike.
• Rollback Airchair: A bboy starts off on his back or sitting down and rolls back to an airchair.
• Elbow Rollback: A bboy starts off on his back or sitting down and rolls back on to his forearm freezing him in the air.
• Rollback 2000 A bboy starts off on his back, rolls, than goes into hanstand position. Sudden twist of the body creates momentum and allows the bboy to perform 2000.

Breakdance moves : Hand hops/Elbow hops/Other hops

Commonly known as Hand Hops or Rabbits, a "Hand Hop" is done in a two-handed or one-handed handstand. Legs will kick causing the hand or hands on the floor to hop. This is also done on elbows and other body parts using the same motion of kicking to "hop" you off the ground.

Two-handed

• Basic 2 Handed Hand Hops/Rabbits: Hopping on two hands, pumping your legs up together.
• 2 Handed Scissors: Hopping while kicking your legs back and forth.
• Switch Hops: Hopping while switching from right to left hands.
• Invert Hops: Hopping while in an invert.
• 2 Handed Bicycle Hops: Rapidly kicking (or Bicycling) your legs multiple times in between hops.
• 2 Handed Lotus Handhops: Hopping on two hands while legs are in the Lotus position.

One-handed

• Basic Hand Hops/One Handed Rabbits: Hopping on one hand, pumping your legs up together.
• Scissor Hops: Hopping while kicking your legs back and forth.
• Threading Handhops: Threading while hopping. Bboy Juju from Mortal Combat Crew is known for executing this move to perfection.
• Lotus Handhops/Yoga Hops: Hopping while Legs are in the Lotus position.
• Handhop Pikes/Pike Hops: Hand Hopping while piked.
• 'Split Hops/Open Hops:

' Hopping while spreading open and closing your legs.

• Bicycle Hops: Rapidly kicking (or Bicycling) your legs multiple times in between hops.
• Super Hops: Hopping and bending your elbow up while in the air to hop as high as possible.
• Pretzel Hops: Hopping with one leg behind your head.
• Clap Hops: Hopping and clapping your hand while in mid air.

-Elbow Hops-

• Basic Elbow Hops: Hopping on one elbow, pumping your legs up together.
• Elbow Switch Hops: Hopping while switching from right to left Elbows.
• Elbow Scissor Hops: Hopping while kicking your legs.
• Elbow Lotus Hops:Hopping with your legs in lotus position. Bboy Juju from Mortal Combat Crew is famous for perfecting this move.
• Note: Most One handed hand hops can be done on the elbow.

-Other Hops-

• Chair Hops: The Bboy/Bgirl is in an air chair freeze position and kicks up continuously, thus hopping on one hand.
• Head Hops: Hopping on your head.
• Shoulder Hops: the Bboy/Bgirl is in a shoulder freeze position and kicks up, thus hopping on the shoulder.

Breakdance moves : PowerMoveFloat

• UFO A power move and (airmove) combined the 1st version is an unsupported float but with the legs drawn in to pick up speed and the momentum spinning around on your hands with the illusion of a space ship.
• Boomerangs: A (airmove)and power move combined spinning around with upper body strength. Done with your legs spread open:
  • Inside Boomerangs: hands down in front of you supporting you and propelling you in a circle.
  • Outside Boomerangs: hands down behind of you supporting you and propelling you in a circle.
• Gorillas: A power move that involves spinning around in a circular motion, using your body position in a tucked planche and you spin with your hands. it's a bit similar to the U.F.O. but instead of your legs going around, your whole body goes around.
• Buddhas:A power move Walking/spinning around while arms are the holding the body up from behind and legs are in the tucked planche position.
• Gremlin Spins: A power move where you spin on only one hand down on the floor carrying body in a position with the knees bent. Can be done between and after flares.

Breakdance moves : Float

• Float: is one of the first breakdance power moves in the 80's that is an advanced version of the turtle that involves positioning both elbows in the pockets of side of abdominal. And both hands and walking in a circular motion and balancing body straight and with control. And speed and neat body stays stationary at all times.
• Cricket: A breakdance move that involves hopping around in a circular motion while in the handglide position but hopping. Hands pump off of the floor one after the other.
  • Hydro: Crickets pushing with both hands at the same time.
  • Jackhammer: Crickets on one hand pumping off the floor balancing body with one elbow in the side of abdominal section hard for control to be a float but can be done.
  • Darkhammer: A breakdance move where you hop from one side to the other with elbows in side of abdominal section hand to hand with balance.
  • Hopping Turtles/Scratching Turtles: A breakdance move Variation of Darkhammers that involves putting you elbow in the pocket of the abdominal side and hop on one hand at a time while the other reaches out in front of you. Tapping you opponent on his foot was the first version..

Breakdance moves : Hand Glide

• Hand Glide Spin/Handspin: A breakdance move that involves spinning around in a circular motion, using one hand to push and propel you while the other hand is positioned in the side pocket of the abdominal section supporting your weight balancing your body from not touching the floor.
  • Side/Hand Glide: A breakdance move that involves spinning around in a circular motion, using one hand positioning the elbow in your side pocket of abdominal section like a (Head Glide) without touching the floor with the head; your elbow and wrist support your weight. This is also known as a sidechair spin or airchair spin.
  • Straight leg/Hand Glide: A breakdance move that involves spinning around with the legs closed like a planche but supporting one's weight by positioning your elbow in the side pocket of abdominal section supporting one's weight with elbow and wrist strength.
• Turtle: A breakdance move that involves positioning both elbows in the kidney pockets on the side of the body and both hands walk in a circular motion balanced. Each hand distributes the weight of the person in an alternating action. The more advanced the more control this comes with strength.

Breakdance moves : Power Moves

A Power Move is any type of move in Bboying which requires spinning and/or rotating in a way that can be done so in multiple rounds. All Power Moves (or series of a type of Power Move) can be connected in combos to form a "Power Combo". The first breaker to put this style together was Powerful Pexster New York City Breakers in 1983 his name was referred as

• (Powerful Moves)[1] shorten to
• (Power moves) in the 90's by linguistics and poetic rhythm to make the name more catchy Syllable

First (Power Moves) in the 80's was [2] was the Float, Headmills, Flares, Airtwist,...etc and was the first Breakdancer to bring this style together with speed control and was considered the first king of combinations in 1984. Now Breakdancers all around the world has advance this Power Moves theory into a level beyond imagination. Breakdancers that use mostly (Power combos) in their sets are commonly known as "Power Heads". Example: Flare-Air Flare-Elbow Air Flare-Air Flare-1990 The possible number of combinations are endless and only limited by stamina, strength and imagination.

On American reality series America's Best Dance Crew, Ronnie from Super Cr3w & Full Force, performed a combination, with these moves in this order: Elbow Air Flare-Munchmill-Gorillas. Shane Sparks recalled hearing, there are only four people in the world that can do that combination.

• Air Flare An advance powermove starting from a 1990 or windmill or halo or headspin position. The bboy goes into a handstand with his body diagnal to the ground and legs spread out into a V-shape. The legs are swung, like windmills/halos, in a circular motion. Using the momentum, the bboy switches from arm to arm as the body rotates in the air. The most difficult part of this move is the switching of the arms (while in the air) while the back of the bboy is facing the ground (the circular leg swing is most important in a hand transfer). It is recommended that this move is tried on mats with a supervisor.
  • Piked Airflare/Bongo Thunder: Airflare with the legs straight together, instead of V-shape.
  • Munch Airflare: Airflare with the legs tucking in and kicking out, creating a "munch" motion.
  • Lotus Airflare: Airflare done with the legs crossed over one another, in the lotus yoga position.
  • One Legged Airflare: Airflare with one the legs sticking out while the other leg is bent in, looking like an L-shape. Sometimes it is done with the bent leg tucked into the shirt of the bboy.
  • One Hand Airflare: Airflare using one arm.
  • Elbow Airflare: Airflare with elbows.
  • Forearm Airflare: Airflare with forearms.
  • One Arm Elbow Airflare: Airflare using one arm but on the elbow.
  • One Arm Forearm Airflare: Airflare using one arm but on the forearm.
  • Airflare 1.5: instead of landing on your hands after doing one rotation of an Airflare/Airtrack, you keep your body rotating one half extra turn and land onto your back without the use of your hands. This is considered one of the most difficult and most dangerous of the Airflare/Airtrack moves.
  • Elbow Airflare/Airtrack 1.5: instead of landing on your hands after doing one rotation of an Elbow Airflare/Airtrack, you keep your body rotating one half extra turn and land onto your back without the use of your forearms.
  • Shoulder Airflare/Caveman: Airflare with shoulders.

A flare in motion.

• Flare: A widely recognized power move that involves swinging the legs around in a circular motion while balancing on the hands.
  • King Flares/Hopping Flare: A flare that is done while hopping from hand to hand.
  • Virgin Flare/Double Leg Circles: A flare that is done with closed legs.
  • Twin-legged Flare: A flare with the legs straight out together.
  • Crossed-legged Flare: Much like twin-legged flare, but the legs are crossed.
  • Chair Flare:A Flare starting and ending with an airchair position, much like king flares but with bent arms.
  • Double Chair Flare:A flare with both arms stabbed in the back creating a rotating double airchair.
  • Sandwich Flare: A flare with both legs in a piked position.
  • Lotus Flare: A flare with both legs crossed over each other in lotus/yoga position.
  • Thread Flare: A flare that is done with by threading the legs with the free arm.
  • One-legged Flare: A flare done with one leg over the breaker's head. Bboy Rubberlegz is famous for this move.
• Airtrack: A full 360 degree hop on one hand. Used as a transition between airflares.
  • Elbow Airtrack: An airtrack done one the forearm/elbow.
  • Shoulder Airtrack: An airtrack done on the shoulder.
• Floats: Is one of the first breakdance power move in the 80's that is an advanced version of the turtle that involves positioning both elbows in the pockets of the side of the abs. And both hands and walking in a circular motion and balancing body straight and with control. And speed and neat body stays stationary at all times.
• Cricket: A breakdance move that involves hopping around in a circular motion while in the handglide position but hopping. Hands pump off the floor one after the other.
  • Hydro: Crickets pushing with both hands at the same time.
  • Jackhammer: Crickets on one hand pumping off the floor balancing the body with one elbow on the side of the abdominal section.(Hard for control to be a float but can be done).
    • Lotus Jackhammer: A Jackhammer done with the legs in a lotus/yoga position.
    • Super Jackhammer: Jumping really high while doing a jackhammer. Bboy Pop from Gamblerz is famous for this move.
  • Darkhammer: A breakdance move where you hop from one side to the other with elbows on the side abdominal section hand to hand with balance.
  • Hopping Turtles/Scratching Turtles: A Breakdance move variation of darkhammers that involves putting your elbow on the pocket of the abdominal side and hop on one hand at a time while the other reaches out in front of you.
• Swipe/Stigg Swipe: A power move where the breakdancer starts with his hands and feet on the ground and rotates his upper body to build the momentum to rotate his lower body. (Stigg swipe invented by jueogo Stiggletts)
• Windmill/Mill: a debatable move (considered basic move or power move) in which the breaker can use the momentum from a previous move or start from stabbing your elbow in your stomach and feet supported on the ground, where you kick the opposite leg from the direction you are spinning to gain the momentium to rotate your self around onto your back and back onto your front. A variation of baby freeze and backspin and sometimes called a 'Continuous Backspin' by the Old Skool.
  • Superman: Windmills using the hands so that the body does not touch the ground.
  • Bellymills: windmills where the arms are stretched out while the torso rotates on the chest/stomach.
  • Criticals:The first full 360 degree rotation movement is done from a turtle or crab position. It requires a pushing motion and whipping both legs similar to a windmill but fully rotating in the air landing back into a turtle or crab position. This move was created by a group call "Critical Mass Rockers"bka L.A.B.
  • Critical 2's:A variant of criticals that is from the swipe position landing nonstop into footwork or windmills or freezes.
  • Forearm: Windmills performed by landing back on forearms when continuing the next spin.
  • Windmill Critical: A variant where in freeze position during a windmill like Airflare 1.5 you push yourself off the ground and spin in the air back into a windmill.
  • Airplane/Highrisers/Highrises: A windmill but your arms high as possible and spread
  • Babymills/Cork screws/Munchmills: Windmills performed with tucked legs.
  • Germanmills/Tappingmills:Windmills performed with one leg tucked on top of the other leg, the lower leg taps the ground while the upper torso rolls over similar to munchmills/babymills. the tap leg should be the opposite of the direction the windmill is rotating, i.e. if rotating CW, the right leg taps, if rotating CCW, the left leg taps. (Similar to doing a one-legged-swipe)
  • Tombstone mills/Frankensteins: Windmills performed with piked legs.
  • HandCuffs: Windmills performed with your hands behind your back imitating being handcuffed. Must be performed high up on ones back to avoid injury.
  • Mummies: You do a windmill, but cross your arms over your chest.
  • Nutcracker: A windmill with your hands on your groin area.
  • Eggbeater: A windmill with hands to your thighs.
  • Barrel: A windmill where your arms make a circle as if you are hugging a barrel.
  • Confusions: A windmill with your hands on your ears or the side of your head.
  • Lotus mills: Windmills done with the legs crossed over one another, in the lotus yoga position.
  • Frankenstein mills: Windmills with your hands in the air almost touching your toes like Frankenstein.
  • Threading mills: Threading while doing windmills.
• Back Spin: One of the first spinning and famous power moves ever made. A move which has the breaker balled up and spinning on his or her back.
• Side Spin: Sometimes done after a windmill, the side spin is balled up like the back spin except the breaker is rotating on his or her side.
• Shoulder Spin: Sometimes done after a windmill, but going higher to reach the shoulder then spinning. Bboy Zesty from Gamblerz is well known for this move.
• Halos: Similar to windmills, the only difference is the back roll on the ground but supported by arms while rotating, thus causing this move to also spin on the side of head, like a halo. Sometimes called a 'Neck Move' by Old Skoolers.
  • One Handed Halo: Halos done on one hand.
  • Double Halo: Doing two consecutive halos without touching your hands on the floor after one full rotation.
  • Shoulder Halo: Halos done with the shoulders.
  • Threading Halo: Threading while doing Halos.
  • Multiple Halo: Doing more than two spins while doing Halos.
  • Toe Touch Halo: Doing Halos while touching your feet before landing a spin.
• Headspins: A continuous spin done while balancing only on the head, the legs can vary indefinitely. Bboy Laser from Gambler Crew is widely considered the best headspinner in the world.
• HeadSplide/Gromeks: A combination of a headspin and a headslide where the dancer rotates around using a headspin/halo technique whilst sliding forward upon his forehead. Usually achieving between .5 and 1.5 rotations and catching it in another head move.
• Headslide:* Pushing off with your feet while your head on the ground and sliding forward.
• Running Headslide:* Gaining momentum by sprinting and leaning your head towards the floor with your hands by your head. When your head touches the floor, kick your legs up and lift your arms so that you are only sliding on your head. To avoid injury, make sure your hands hit the floor before your head when sprinting and also wear a beanie.
• 1990/90: A spinning one-handed handstand.Booy Cico is known for executing most rounds.
• Deadman 90's: Similar to the 1990, the Deadman 1990 is done without alternating between hands before the spin. The bboy spins on the same hand he initially places onto the ground, making the deadman 90 easier to balance but harder to create momentum.
• 2000/00s/Thousands: A 1990 with the spare hand on the wrist of your supporting hand.Bboy Master Yonn is known for executing most rounds.
• Knee Spin: Spinning on a knee or both knees, in any direction.
• Airbaby Spin: Spinning while in an airbaby.
• Airchair Spin: Spinning while in an airchair.
• Forearm Spin: A spin on the forearm.
• Elbow Spin: A spin on the elbow. Bboy Physicx is famous for using this move.
• Head Glide/Donut/Icy Ice: A spin performed after windmill where your hand is planted in your side and head drags on the ground and spins around your hand.
• Slush/Elbow Spin: A spin performed on the tip of the elbow.
• Reverse-Slush/Counterclockwise Elbow spin A spin performed on forearm or elbow. This move rotates counterclockwise if you are right-handed. BBoy Pop from the Gamblers Crew is famous for this move.
• Gattling Gun: A powermove where you are in a handstand, swinging your legs around you in a circular motion kicking about. Bboy Physicx is famous for inventing this move.
• Spinning Flag/Flag Spin/Rivers 1990: A variation of 1990. A bboy rotates on his hand, but his body is doing a flag freeze. One of the hardest powermoves. Bboy Physicx is famous for inventing and using this move.
• Hollow 2000/Rivers 2000:A variation of 2000. Similar to the spinning flag, except using 2 hands. Physicx invented and frequently uses this move as well.